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	<title>Michael Livingston &#187; Fiction</title>
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	<link>http://www.michaellivingston.com</link>
	<description>Professor, Writer, Editor, Occasional Adventurer</description>
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		<title>Writers of the Future Reminiscing</title>
		<link>http://www.michaellivingston.com/writers-of-the-future-reminiscing/</link>
		<comments>http://www.michaellivingston.com/writers-of-the-future-reminiscing/#comments</comments>
		<pubDate>Thu, 25 Mar 2010 19:59:29 +0000</pubDate>
		<dc:creator>Michael Livingston</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://www.michaellivingston.com/?p=1336</guid>
		<description><![CDATA[A few years ago, on a lark, I sent a short story of mine to the Writers of the Future contest.  I wasn&#8217;t new to writing stories &#8212; I&#8217;d been screwing around with fiction on my own since I was a lad &#8212; but I was certainly new at trying to publish them. I knew [...]]]></description>
			<content:encoded><![CDATA[<p>A few years ago, on a lark, I sent a short story of mine to the Writers of the Future contest.  I wasn&#8217;t new to writing stories &#8212; I&#8217;d been screwing around with fiction on my own since I was a lad &#8212; but I was certainly new at trying to publish them.  I knew nothing about how to do it.  One night at a pub (The Old Toad in Rochester, NY), a more informed friend of mine told me about <a href="http://www.ralan.com/">Ralan.com</a>, a website that aggregates market information for speculative fiction stories, and poring over it the next day I found an entry for this Writers of the Future contest that had no entry fee but thousands of dollars in awards.</p>
<p>I was a little uncertain at first due to the contest&#8217;s association with L. Ron Hubbard (founder of Scientology), but the tiniest bit of looking at the <a href="http://www.writersofthefuture.com/">contest website</a> revealed that it was judged by some of the <a href="http://www.writersofthefuture.com/judges.htm">greatest living writers</a> of fantasy and science fiction. Hubbard&#8217;s interest in supporting young writers struck me as an issue entirely independent from any religious issues. And with that kind of prize money &#8230;</p>
<p>Well, for the cost of postage, I didn&#8217;t see much of a downside.  So I sent in my story, a 14,000-word beastie that was eventually reviewed thus on Amazon (this still gives me goosebumps):</p>
<blockquote><p>Michael Livingston provides what I thought was the best story of all in “The Keeper Alone.” In a story reminiscent of Robert Heinlein’s “Orphans of the Sky,” what happens when the sole keeper of a space ark saves someone whose pod has malfunctioned? It is stories such as these that keep me reading science fiction. . . . This book is worth purchasing. There are a few stories that I was less enthused about, but the winners in this book, particularly the last story, ["The Keeper Alone,"] will make you feel good about the purchase. — <a href="http://www.amazon.com/Hubbard-Presents-Writers-Future-Vol/dp/1592122175/ref=sr_1_13?ie=UTF8&amp;s=books&amp;qid=1269545007&amp;sr=8-13">amazon.com</a></p></blockquote>
<p>To say I was shocked to win would be an understatement. And I was even more shocked to find out I also got an all-expenses paid trip to a week-long workshop with those famous judges, culminating in a black-tie awards ceremony and book signing. (Most folks know these things, but I was writing in a total vacuum.) Our year the Big Event was held in Seattle, and it was an incredible experience.</p>
<p>It was also meticulously filmed.  The contest folks had hired a video crew to follow us around, documenting the whole thing Survivor-style.  Crazy.</p>
<p>That documentary &#8212; at last we get to the point of this post &#8212; is now on YouTube, along with a video of the &#8220;highlights&#8221; of the black-tie extravaganza itself.  It&#8217;s an awesome walk down memory lane for me. The video is in three parts, with yours truly appearing first in the second one at around the 1:08 mark (though I show up a quite a bit for the rest of it). </p>
<p><strong>Documentary Part 1</strong>:</p>
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<p><strong>Documentary Part 2</strong>:</p>
<p><object width="500" height="405"><param name="movie" value="http://www.youtube.com/v/E52Dk8erdVE&#038;hl=en_US&#038;fs=1&#038;color1=0x2b405b&#038;color2=0x6b8ab6&#038;border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/E52Dk8erdVE&#038;hl=en_US&#038;fs=1&#038;color1=0x2b405b&#038;color2=0x6b8ab6&#038;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="405"></embed></object></p>
<p><strong>Documentary Part 3</strong>:</p>
<p><object width="500" height="405"><param name="movie" value="http://www.youtube.com/v/3pgVOs_LOW4&#038;hl=en_US&#038;fs=1&#038;color1=0x2b405b&#038;color2=0x6b8ab6&#038;border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/3pgVOs_LOW4&#038;hl=en_US&#038;fs=1&#038;color1=0x2b405b&#038;color2=0x6b8ab6&#038;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="405"></embed></object></p>
<p><strong>Awards ceremony highlight reel</strong>:</p>
<p><object width="500" height="405"><param name="movie" value="http://www.youtube.com/v/AIi37kort18&#038;hl=en_US&#038;fs=1&#038;color1=0x2b405b&#038;color2=0x6b8ab6&#038;border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/AIi37kort18&#038;hl=en_US&#038;fs=1&#038;color1=0x2b405b&#038;color2=0x6b8ab6&#038;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="405"></embed></object></p>
<p>Quite a walk down memory lane.  And awesome to see so many old friends again via YouTube!</p>
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		<slash:comments>6</slash:comments>
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		<title>Reading my Own Work</title>
		<link>http://www.michaellivingston.com/reading-my-own-work/</link>
		<comments>http://www.michaellivingston.com/reading-my-own-work/#comments</comments>
		<pubDate>Thu, 28 Jan 2010 15:18:22 +0000</pubDate>
		<dc:creator>Michael Livingston</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://www.michaellivingston.com/?p=1229</guid>
		<description><![CDATA[I had no pressing work to do yesterday, so at long last I had the opportunity to read over my completed draft of Shards of Heaven. I wanted to give it another once-over before making a big agent push this year. I meant to do it months ago, but I&#8217;ve been tied up with Brunanburh. [...]]]></description>
			<content:encoded><![CDATA[<p>I had no pressing work to do yesterday, so at long last I had the opportunity to read over my completed draft of Shards of Heaven. I wanted to give it another once-over before making a big agent push this year.  I meant to do it months ago, but I&#8217;ve been tied up with Brunanburh.</p>
<p>You know what, though?  I think the novel is pretty good.  I was actually moved a couple of times, which is a darn fine feeling.  On the other hand, I&#8217;ve scribbled corrections throughout the manuscript, including a mighty mark through the Prologue.  &#8216;Tis going the way of the dodo.</p>
<p>After that, though, I&#8217;m moving on.  Time to start querying this one &#8212; something I intended to have done long before now.</p>
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		<slash:comments>5</slash:comments>
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		<item>
		<title>Shards of Heaven Glossary and Next Project Decisions</title>
		<link>http://www.michaellivingston.com/shards-of-heaven-glossary-and-next-project-decisions/</link>
		<comments>http://www.michaellivingston.com/shards-of-heaven-glossary-and-next-project-decisions/#comments</comments>
		<pubDate>Sun, 23 Aug 2009 20:25:02 +0000</pubDate>
		<dc:creator>Michael Livingston</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://www.michaellivingston.com/?p=963</guid>
		<description><![CDATA[So I decided, somewhere on the long trip out West, that Shards of Heaven needed a glossary. Nothing on a Tolkien scale, mind you, but at least a basic historical who&#8217;s who, since the majority of the novel&#8217;s characters &#8212; even bit players &#8212; are based on real people. The glossary, I&#8217;m pleased to say, [...]]]></description>
			<content:encoded><![CDATA[<p>So I decided, somewhere on the long trip out West, that <em>Shards of Heaven</em> needed a glossary.  Nothing on a Tolkien scale, mind you, but at least a basic historical who&#8217;s who, since the majority of the novel&#8217;s characters &#8212; even bit players &#8212; are based on real people.</p>
<p>The glossary, I&#8217;m pleased to say, is complete.</p>
<p>While I&#8217;m tempted now to immerse myself in <em>Gate of Hell</em>, the sequel to <em>Shards</em> &#8212; yes, some significant work was done on it while I was away &#8212; I&#8217;m finding myself more interested in two other novel projects: one the heavy revision of a completed fantasy novel and one the significant expansion of my award-winning science fiction story, &#8220;The Keeper Alone.&#8221;</p>
<p>Which one will I settle into, I wonder?</p>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Monty Python and Novel Writing</title>
		<link>http://www.michaellivingston.com/monty-python-and-novel-writing/</link>
		<comments>http://www.michaellivingston.com/monty-python-and-novel-writing/#comments</comments>
		<pubDate>Thu, 16 Apr 2009 02:56:09 +0000</pubDate>
		<dc:creator>Michael Livingston</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://www.michaellivingston.com/?p=730</guid>
		<description><![CDATA[I thought today, for no good reason at all, about the Novel-writing sketch by Monty Python.  The &#8220;video&#8221; below is audio only, but it still gets the point across:]]></description>
			<content:encoded><![CDATA[<p>I thought today, for no good reason at all, about the Novel-writing sketch by <a href="http://pythonline.com/">Monty Python</a>.  The &#8220;video&#8221; below is audio only, but it still gets the point across:</p>
<p><object width="425" height="344" data="http://www.youtube.com/v/ogPZ5CY9KoM&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/ogPZ5CY9KoM&amp;hl=en&amp;fs=1" /><param name="allowfullscreen" value="true" /></object></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Small Victories</title>
		<link>http://www.michaellivingston.com/small-victories/</link>
		<comments>http://www.michaellivingston.com/small-victories/#comments</comments>
		<pubDate>Sun, 29 Mar 2009 16:19:01 +0000</pubDate>
		<dc:creator>Michael Livingston</dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://www.michaellivingston.com/?p=707</guid>
		<description><![CDATA[I recently received a rejection from The Magazine of Fantasy and Science Fiction, for my deliberate deus ex machina tale, &#8220;At the End of Babel.&#8221;  A bummer, of course, since I still think it&#8217;s a very fine piece, and I&#8217;d like to see it in print. That said, there is a small victory here.  F&#38;SF [...]]]></description>
			<content:encoded><![CDATA[<p>I recently received a rejection from <em>The Magazine of Fantasy and Science Fiction</em>, for my deliberate deus ex machina tale, &#8220;At the End of Babel.&#8221;  A bummer, of course, since I still think it&#8217;s a very fine piece, and I&#8217;d like to see it in print.</p>
<p>That said, there is a small victory here.  <em>F&amp;SF</em> is a fast-rejection market, often with response times measured in single-digit days.  This speed, as writers know, is largely due to the efficiency of the mag&#8217;s chief slush reader, John Joseph Adams &#8212; known hereabouts as the Tri-Lettered One, since he signs his alas-o-gram rejects &#8220;JJA.&#8221;  My small victory in this rejection, therefore, is that my rejection came not from JJA but from the Editor/Publisher of <em>F&amp;SF</em>, Gordon Van Gelder.  Even more, it took 52 days.</p>
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